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‘I Challenge The Darkness’ Diljit Dosanjh While Comparing ‘Satluj’s’ OTT Removal To Jaswant Singh Khalra’s Ordeal

Diljit Dosanjh has reacted to Satluj being removed from ZEE5 by sharing the message, "I Challenge The Darkness," and comparing the film's journey to the ordeal of Jaswant Singh Khalra.

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Diljit Dosanjh: The actor Diljit Dosanjh has posted an emotional response after his movie Satluj was taken down from the streaming platform ZEE5, shortly after its release. Not going into the details of the reason for the movie‘s takedown, the actor decided to talk about the tale of Jaswant Singh Khalra and the difficulties the movie is facing.

Diljit’s Emotional Message

Soon after Satluj became unavailable on the streaming platform, Diljit took to social media and posted a powerful scene from the film. Along with it, he wrote:

“I Challenge The Darkness.”

He also shared a message in Punjabi, saying that “Panjab 95, now titled Satluj, is meeting the same fate as the late Jaswant Singh Khalra.” This message quickly caught the attention of fans, many of whom appreciated the actor for standing by the film and the story it represents.

Why Did Diljit Draw The Comparison?

Satluj is inspired by the life of Jaswant Singh Khalra, a human rights activist whose work continues to be remembered years after his death. By comparing the film’s journey to Khalra’s ordeal, Diljit appeared to highlight the many challenges the project has faced before finally reaching audiences. His statement focused on the emotional weight of the film rather than the controversy surrounding it.

A Film That Faced Several Hurdles

Diljit Dosanjh: Originally titled Panjab 95, the film experienced multiple delays before eventually being released as Satluj on ZEE5. After finally becoming available to viewers, it was removed from the platform within a short period. Before its release, Diljit had even hinted during an Instagram Live session that the film might not remain available for long. He encouraged fans to watch it whenever they had the opportunity.

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